{"id":495,"date":"2019-03-27T01:41:37","date_gmt":"2019-03-27T00:41:37","guid":{"rendered":"https:\/\/juanolivares.net\/bio-cv\/"},"modified":"2024-01-20T17:05:50","modified_gmt":"2024-01-20T16:05:50","slug":"bio-cv","status":"publish","type":"page","link":"https:\/\/juanolivares.net\/en\/bio-cv\/","title":{"rendered":"Bio & CV"},"content":{"rendered":"
[mk_page_section vertical_align=”bottom” bg_image=”https:\/\/juanolivares.net\/wp-content\/uploads\/2019\/04\/juan-olivares-biocv-v2.jpg” bg_position=”center center” bg_repeat=”no-repeat” bg_stretch=”true” enable_3d=”true” adaptive_height=”true” max_height=”480″ min_height=”300″ padding_top=”0″ padding_bottom=”0″ animation=”fade-in” el_class=”titleSectionGeneral” sidebar=”sidebar-1″][vc_column el_class=”columna”][mk_fancy_title strip_tags=”true” tag_name=”h1″ color=”#ffffff” size=”48″ font_weight=”300″ margin_bottom=”30″ font_family=”none” responsive_align=”left” drop_shadow=”true” shadow_distance=”1″ shadow_blur=”5″ shadow_color=”#000000″]Bio & CV[\/mk_fancy_title][\/vc_column][\/mk_page_section][vc_row equal_columns=”true” css=”.vc_custom_1555774624361{padding-top: 50px !important;padding-bottom: 25px !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1555774465989{background-image: url(https:\/\/juanolivares.net\/wp-content\/uploads\/2019\/04\/detalle-bio-2.jpg?id=302) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][\/vc_column][vc_column width=”1\/2″][mk_fancy_title strip_tags=”true” color=”#404040″ size=”38″ font_weight=”300″ font_family=”none” responsive_align=”left” animation=”right-to-left”]Poetic Weft[\/mk_fancy_title][vc_column_text disable_pattern=”false” animation=”right-to-left” css=”.vc_custom_1556386329775{margin-bottom: 0px !important;}”]In my case, there is no fixed order or hierarchy of the things that drive me to paint. They can appear at any given time, that is, if one is awake to receive them, with a sensitive eye eager to spot them.<\/p>\n

I identify emotionally with whatever surrounds me, whether it is a simple cup of coffee, a song or a quiet conversation with a friend.
\nI\u2019m not looking for transcendence. I\u2019m after something closer, more everyday and, if you like, more sincere.<\/p>\n

An elusive moment, an everyday sparkle, some seemingly insignificant emotion that makes me pick up a brush because, for me, painting is in no way removed from what is actually happening, from the permanent flow of things.
\nOne perfect, fleeting moment that somehow produces a feeling of fulfilment. An excuse whose only intention is to ponder the way of seeing, doing, saying and experiencing things.<\/p>\n

It is absolutely crucial to work with something which moves us yet at once has content, and in one way I\u2019d say that all my work is one single poetic weft in which the titles are the emotional thread.[\/vc_column_text][vc_column_text disable_pattern=”false” align=”right” animation=”right-to-left” css=”.vc_custom_1553649170449{margin-bottom: 0px !important;}”]Juan Olivares[\/vc_column_text][\/vc_column][\/vc_row][mk_page_section vertical_align=”top” bg_position=”center center” bg_repeat=”no-repeat” bg_stretch=”true” min_height=”300″ full_width=”true” padding_top=”0″ padding_bottom=”0″ visibility=”visible-sm” animation=”fade-in” sidebar=”sidebar-1″][vc_column el_class=”columna”][mk_image src=”https:\/\/juanolivares.net\/wp-content\/uploads\/2019\/04\/detalle-bio-1.jpg” image_size=”full” align=”center”][\/vc_column][\/mk_page_section][vc_row equal_columns=”true” css=”.vc_custom_1555774604303{padding-top: 25px !important;padding-bottom: 50px !important;}”][vc_column width=”1\/2″][mk_fancy_title strip_tags=”true” color=”#404040″ size=”38″ font_weight=”300″ font_family=”none” responsive_align=”left” animation=”left-to-right”]BIO[\/mk_fancy_title][vc_column_text disable_pattern=”false” animation=”left-to-right” css=”.vc_custom_1556386519032{margin-bottom: 0px !important;}”]Juan Olivares (Born in Catarroja 1973) is a Spanish artist who focuses his work on painting. Graduated in Fine Arts in 1997 from the Faculty of San Carlos of the Polytechnic University of Valencia, makes his final year in Brussels Nationale Superieure des Arts \u00c9cole de la Cambre Visuels.<\/p>\n

In 2002 the Ministry of Culture Scholarship grants the College of Visual Arts in Spain Cit\u00e9 Internationale Universitaire in Paris. Two years later in 2004 also is awarded by the Ministry of Foreign Affairs Grant Fine Arts Academy in Rome, a city that marks deeply and constantly traveling.<\/p>\n

In 2007 he continued his training at The Cooper Union School of Art in New York, a city that takes its study during 2007 and 2008.<\/p>\n

In 2018 he is part of the artists’ residence at ICCI Jiao Tong University in Shanghai. Currently, the city of Shanghai is one of its references and where it carries out part of its plastic research.<\/p>\n

All his work forms a poetic tissue that questions the formal limits of painting and its relationship to the space it inhabits. Support surface and space continuous review.<\/p>\n

The idea of transience, over time, the emotional trail left us some experiences, uncertainty, chance and discovery are present in all his works. In a sentence: “He loves emotion that corrects the rule\u201d.<\/p>\n

In his twenty-year career he has made more than twenty solo exhibitions in galleries of contemporary art. He has participated in various international exhibitions, as well as in international fairs. His works are in private collections and institutions.[\/vc_column_text][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1555774498352{background-image: url(https:\/\/juanolivares.net\/wp-content\/uploads\/2019\/04\/detalle-bio-1.jpg?id=303) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][\/vc_column][\/vc_row][mk_page_section vertical_align=”top” bg_position=”center top” bg_repeat=”no-repeat” min_height=”300″ full_width=”true” padding_top=”0″ padding_bottom=”0″ visibility=”visible-sm” animation=”fade-in” sidebar=”sidebar-1″][vc_column el_class=”columna”][mk_image src=”https:\/\/juanolivares.net\/wp-content\/uploads\/2019\/04\/detalle-bio-2.jpg” image_size=”full” align=”center” margin_bottom=”0″][\/vc_column][\/mk_page_section][vc_row css=”.vc_custom_1553544321738{padding-top: 50px !important;padding-bottom: 50px !important;}”][vc_column][mk_fancy_title strip_tags=”true” color=”#404040″ size=”38″ font_weight=”300″ font_family=”none” responsive_align=”left” animation=”left-to-right”]Curriculum vitae[\/mk_fancy_title][mk_table style=”style2″ el_class=”cvTable”]\n\n<\/thead>\n\n\n\n
1998<\/td>\nGraduate in Fine Arts from San Carlos School of Fine Arts, Polytechnic University of Valencia.<\/td>\n<\/tr>\n
2007<\/td>\nSummer Program. The Cooper Union School of Art. New York.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n[\/mk_table][vc_column_text animation=”left-to-right” css=”.vc_custom_1556386748926{margin-bottom: 0px !important;}”]\n

Solo exhibitions<\/h3>\n

(selection)[\/vc_column_text][mk_table style=”style2″ el_class=”cvTable”]\n\n<\/thead>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2023<\/td>\nCentre del Carme Cultura Contempor\u00e0nia. CCCC Valencia. Spain.<\/td>\n<\/tr>\n
2019<\/td>\nShiras Gallery. Valencia. Spain.<\/td>\n<\/tr>\n
2017<\/td>\nIsabel Hurley Gallery. M\u00e1laga. Spain<\/td>\n<\/tr>\n
2016<\/td>\nSET Espai d\u00b4Art. Valencia. Spain.<\/td>\n<\/tr>\n
2015<\/td>\nArte Santander. SET Espai d\u00b4Art. Valencia. Spain.<\/td>\n<\/tr>\n
2014<\/td>\nSET Espai d\u00b4Art. Valencia. Spain.<\/td>\n<\/tr>\n
2012<\/td>\nValle Ort\u00ed Gallery. Valencia. Spain.<\/td>\n<\/tr>\n
2010<\/td>\nHospital Marina Salud. Denia. Alicante. Spain.<\/td>\n<\/tr>\n
2009<\/td>\nMar\u00eda Llanos Gallery. C\u00e1ceres. Spain.<\/p>\n

Isabel Hurley Gallery. M\u00e1laga. Spain.<\/p>\n

Adora Calvo Gallery. Salamanca. Spain.<\/td>\n<\/tr>\n

2008<\/td>\nLa Gallera. Consorcio de Museos Comunidad Valenciana. Spain.<\/p>\n

EV Gallery. Shanghai. China.<\/td>\n<\/tr>\n

2007<\/td>\nValle Ort\u00ed Gallery. Valencia. Spain.<\/td>\n<\/tr>\n
2006<\/td>\nT 20 Gallery. Murcia. Spain.<\/td>\n<\/tr>\n
2005<\/td>\nPilar Parra Gallery. Madrid. Spain.<\/td>\n<\/tr>\n
2004<\/td>\nSpazia Gallery. Bolonia. Italy.<\/p>\n

Espai Lucas Gallery. Valencia. Spain.<\/td>\n<\/tr>\n

2003<\/td>\nPilar Parra Gallery. Madrid. Spain.<\/td>\n<\/tr>\n
2002<\/td>\nT 20 Gallery. Murcia. Spain.<\/p>\n

Espai Lucas Gallery. Valencia. Spain.<\/td>\n<\/tr>\n

2001<\/td>\nPilar Parra Gallery. Madrid. Spain.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n[\/mk_table][vc_column_text animation=”left-to-right” css=”.vc_custom_1556387249404{margin-bottom: 0px !important;}”]\n

Group exhibitions<\/h3>\n

(selection)[\/vc_column_text][mk_table style=”style2″ el_class=”cvTable row100″]\n\n<\/thead>\n\n\n
He has participated in different national and international exhibitions. Shanghai, New York, Brussels, Geneva, Paris and Rome. As well as in international fairs: ARCO Madrid, ESTAMPA Madrid, ARTISSIMA Turin, MIART Milan, ARTCOLOGNE Cologne, SHANGHAI ART FAIR, ART Lisbon, MACO Mexico, PINTA London and PULSE Miami.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n[\/mk_table][vc_column_text animation=”left-to-right” css=”.vc_custom_1556387290514{margin-bottom: 0px !important;}”]\n

Grants and Residencies<\/h3>\n

(selection)[\/vc_column_text][mk_table style=”style2″ el_class=”cvTable”]\n\n<\/thead>\n\n\n\n\n\n\n\n\n\n
2023<\/td>\nV ART DIAGONALE. Symposium and Artist Residency. Wels. Austria.<\/td>\n<\/tr>\n
2021<\/td>\nIV ART DIAGONALE. Symposium and Artist Residency. Wels. Austria.<\/td>\n<\/tr>\n
2019<\/td>\nICCI ART VALLEY Artist Residency. Jiao Tong University. Shangh\u00e1i. China.<\/td>\n<\/tr>\n
2018<\/td>\nICCI Jiao Tong University & TIAC Residency. Shanghai. China.<\/td>\n<\/tr>\n
2007<\/td>\nSummer Program. The Cooper Union School of Art. New York. EE.UU.<\/td>\n<\/tr>\n
2004<\/td>\nBeca de Artes Pl\u00e1sticas. Academia de Roma. Ministerio Asuntos Exteriores. Rome. Italy.<\/td>\n<\/tr>\n
2002<\/td>\nBeca de Artes Pl\u00e1sticas. Colegio de Espa\u00f1a de la Cit\u00e9 Internationale Universitaire de Par\u00eds. Ministerio de Educaci\u00f3n, Cultura y Deportes. Paris. France.<\/p>\n

Beca Art Visual. Consejer\u00eda de Educaci\u00f3n y Cultura. Valencia. Spain.<\/td>\n<\/tr>\n

1998<\/td>\nBeca Socrates-Erasmus. \u00c9cole Nationale Sup\u00e9rieure des Arts Visuels de la Cambre. Brussels. Belgium.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n[\/mk_table][vc_column_text animation=”left-to-right” css=”.vc_custom_1556387366877{margin-bottom: 0px !important;}”]\n

Awards<\/h3>\n

(selection)[\/vc_column_text][mk_table style=”style2″ el_class=”cvTable”]\n\n<\/thead>\n\n\n\n\n\n\n\n\n\n
2018<\/td>\n2\u00ba Premio. I Bienal M\u00aa. Isabel Comenge. Fundaci\u00f3n Juan Jos\u00e9 Castellano Comenge, Valencia.<\/td>\n<\/tr>\n
2016<\/td>\nPremio-Adquisici\u00f3n. Fundaci\u00f3n Hortensia Herrero, Abierto Valencia.<\/p>\n

Premio-Adquisici\u00f3n. Fundaci\u00f3n Ca\u00f1ada Blanch, Valencia.<\/td>\n<\/tr>\n

2006<\/td>\nPremio Senyera. Ayuntamiento de Valencia.<\/td>\n<\/tr>\n
2004<\/td>\nAcc\u00e9sit XXXI Premio Bancaixa de Pintura. Valencia. IVAM. Centro Julio Gonz\u00e1lez.<\/td>\n<\/tr>\n
2003<\/td>\nPremio XXXIV Sal\u00f3n de Oto\u00f1o. Ateneo Mercantil. Valencia.<\/td>\n<\/tr>\n
2002<\/td>\nPrimer premio III Premio de Pintura Colegio de Gestores. Valencia.<\/p>\n

Primer premio XIV Bienal de Pintura Milagros Mir. Catarroja. Valencia.<\/td>\n<\/tr>\n

2001<\/td>\nPrimer Premio VI Premi de Pintura Ciutat de Burriana. Castell\u00f3n.<\/p>\n

Adquisici\u00f3n Generaci\u00f3n 2001 Caja Madrid. Casa de Am\u00e9rica. Madrid.<\/td>\n<\/tr>\n

2000<\/td>\nAdquisici\u00f3n en el XVI Premio de pintura l\u00b4Or\u00e9al. Centro Conde Duque. Madrid.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n[\/mk_table][vc_column_text animation=”left-to-right” css=”.vc_custom_1556387580324{margin-bottom: 0px !important;}”]\n

Collections<\/h3>\n[\/vc_column_text][mk_table style=”style2″ el_class=”cvTable row100″]\n\n<\/thead>\n\n\n
Ministerio de Cultura. Ministerio de Asuntos Exteriores. Caja de Ahorros del Mediterr\u00e1neo. Caja Madrid. Bancaixa. Banco de Valencia. Caixa Rural Torrent. Caja Murcia. Club Diario Levante. L\u00b4Or\u00e9al. Universidad Polit\u00e9cnica de Valencia. The Cooper Union School of Art, New York. Colegio de Espa\u00f1a, Par\u00eds. Colegio Administrativo de Gestores de Valencia. Fundaci\u00f3n D, Murcia. Valdearte, Orense. Ateneo Mercantil, Valencia. Jaurena Art, Barcelona. Royal Premier, M\u00e1laga. Banco Sabadell. Olor Visual. DKV. Ars Citerior. Fundaci\u00f3n Ca\u00f1ada Blanch. Fundaci\u00f3n Hortensia Herrero. Colecci\u00f3n Martinez-LLoret. Fundaci\u00f3n Juan Jos\u00e9 Castellano Comenge. Colecci\u00f3n Repsol. Colecci\u00f3n Conselleria de Cultura de La Comunitat Valenciana. (ICCI) Shanghai Jiao Tong University.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n[\/mk_table][vc_column_text animation=”left-to-right” css=”.vc_custom_1556387626382{margin-bottom: 0px !important;}”]\n

Bibliography<\/h3>\n[\/vc_column_text][mk_table style=”style2″ el_class=”cvTable row100″]\n\n<\/thead>\n\n\n\n
\n

Individual catalogues<\/h4>\n
    \n
  • JUNCOSA, Enrique. \u201cPintar es un verbo: La obra reciente de Juan Olivares\u201d. Centre del Carme Cultura Contempor\u00e0nia CCCC. Valencia 2023.<\/li>\n
  • STEINZ, Marlene Elvira. \u201cThe artistic process of Juan Olivares\u201d. Centre del Carme Cultura Contempor\u00e0nia CCCC. Valencia 2023.<\/li>\n
  • DE LOS \u00c1NGELES, \u00c1lvaro. \u201cconversaci\u00f3n entre Juan Olivares y \u00c1lvaro de los \u00c1ngeles\u201d. Centre del Carme Cultura Contempor\u00e0nia CCCC. Valencia 2023.<\/li>\n
  • GUILLEM, Ramon. \u201cLes empremtes de la llum\u201d. Centre del Carme Cultura Contempor\u00e0nia CCCC. Valencia 2023.<\/li>\n
  • SALANOVA, Marisol. Sobre Beyond. \u201cJuan Olivares: Destellos del paisaje emocional.\u201d Shiras Galer\u00eda. Valencia 2019.<\/li>\n
  • P\u00c9REZ PONT, Jos\u00e9 Luis. \u201cJuan Olivares. Parar para vivir\u201d. Hospital Marina Salud. Denia. Alicante 2010.<\/li>\n
  • GOITIA, Lola. \u201cJuan Olivares. La pintura como \u00f3rgano de contemporaneidad\u201d. Galer\u00eda Isabel Hurley. M\u00e1laga 2009.<\/li>\n
  • MARZAL, Carlos. \u201cLetan\u00eda del color\u201d. La Gallera. Consorcio de Museos de la Comunidad Valenciana. Valencia 2008.<\/li>\n
  • HONTORIA, Javier. \u201cEl mirar detenido de Juan Olivares\u201d. La Gallera. Consorcio de Museos de la Comunidad Valenciana. Valencia 2008.<\/li>\n
  • LUCAS, Vicente. \u201cHilvanar el espacio\u201d. La Gallera. Consorcio de Museos de la Comunidad Valenciana. Valencia 2008.<\/li>\n
  • ALONSO MOLINA, \u00d3scar. \u201cUn discreto movimiento\u201d. Galer\u00eda Valle Ort\u00ed. Valencia 2007.<\/li>\n
  • FORRIOLS, Ricardo. ” Olivares song\u201d. Galer\u00eda Pilar Parra. Madrid 2005.<\/li>\n
  • DEH\u00d2, Valerio. \u201cAstratto quotidiano\u201d. Galleria Spazia. Bologna (Italia) 2004.<\/li>\n
  • HUICI, Fernando. \u201cDestellos\u201d. Galer\u00eda Pilar Parra. Madrid 2003.<\/li>\n
  • JUNCOSA, Enrique. \u201cVislumbres de la realidad\u201d. Becats Art Visual 2003. Valencia.<\/li>\n
  • PEIR\u00d3, Juan B. \u201cFugar-ser. Permanencia y fugacidad\u201d. Club Diario Levante. Valencia 2002.<\/li>\n
  • CASTRO FL\u00d3REZ, Fernando. “Paseos de la mirada. Sobre la pintura de Juan Olivares”. Galer\u00eda Pilar Parra. Madrid 2001.<\/li>\n
  • PEIR\u00d3, Juan B. “Juan Olivares”. Galer\u00eda Edgar Neville. Alfafar 2000.<\/li>\n
  • CLEMENTE, Jos\u00e9 Luis. “Las Catas visuales de Juan Olivares”. Galer\u00eda Edgar Neville. Alfafar 2000.<\/li>\n
  • FORRIOLS, Ricardo. “Juan Olivares”. Espai d\u00b4Art A. Lambert. X\u00e2bia 1999.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n

\n

Press & art magazines<\/h4>\n
    \n
  • MAR\u00cd, Rafa. \u201cJuan Olivares en su mejor momento\u201d. Las Provincias. 2 Diciembre 2023.<\/li>\n
  • TORRES, Salva. \u201cEl optimismo es la fuerza creadora que conoce el lado oscuro de la vida\u201d. MAKMA. 16 Junio 2023.<\/li>\n
  • DAS\u00cd, Ada. \u201cEl artista de Catarroja, Juan Olivares, deja su impronta en Austria\u201d. Las Provincias. 17 Agosto 2021.<\/li>\n
  • TORRES, Salva. \u201cQuiero que el ojo entre en el cuadro\u201d. El Mundo. 28 Mayo 2019.<\/li>\n
  • PEIR\u00d3, Juan B. \u201cDoble y alta tensi\u00f3n\u201d. Levante. Posdata 17 Mayo 2019.<\/li>\n
  • MAR\u00cd, Rafa. \u201cMientras pinto, el pasado no existe\u201d. Las Provincias. 18 Mayo 2019.<\/li>\n
  • RUEDA, Juan Francisco. \u201cEl espacio de la pintura\u201d. Diario Sur. 17 June 2017.<\/li>\n
  • MAR\u00cd, Rafa. \u201cDestellos de Juan Olivares\u201d. Las Provincias. 8 October 2016.<\/li>\n
  • ANT\u00d3N, Mar\u00eda Jes\u00fas. Entrevista. La Raz\u00f3n. 3 October 2016.<\/li>\n
  • PEIR\u00d3, Juan B. \u201cFugacidad permanente\u201d. Levante. Posdata 17 September 2016.<\/li>\n
  • DOM\u00cdNGUEZ, Mart\u00ed. \u201cEl pintor poeta de la llum\u201d. El Pa\u00eds. Quadern 6 October 2014.<\/li>\n
  • MOLINS, Javier. \u201cUn estallido de Color\u201d. ABC. Artes & Letras 26 April 2014.<\/li>\n
  • ULPIANO, Rosa. \u201cJugando\u201d. Levante. Posdata 4 April 2014.<\/li>\n
  • LOPEZ, Alba. \u201cEl juego entre pintura y escultura\u201d. La Raz\u00f3n. 30 March 2014.<\/li>\n
  • PEREZ, Isabel. \u201cZurcir torbellinos\u201d. Levante. Posdata 3 February 2012.<\/li>\n
  • MOLINS, Javier. \u201cInnovaci\u00f3n constante\u201d. ABC. Artes & Letras 28 January 2012.<\/li>\n
  • SCHERINI, Eleonora. \u201cJuan Olivares\u201d. PAC. 21 January 2012.<\/li>\n
  • RUEDA, Juan Francisco. \u201cOjo agitado, mano pausada\u201d. M\u00e1laga hoy. 2 March 2009.<\/li>\n
  • MELLADO, Sergio. \u201cLos colores agitados de Juan Olivares\u201d. EL Pa\u00eds. 24 February 2009.<\/li>\n
  • CASTA\u00d1OS, Enrique. \u201cEl ojo permeable y el camuflaje de la realidad\u201d. Sur. 20 February 2009. M\u00e1laga.<\/li>\n
  • L\u00d3PEZ, A. J. \u201cJuan Olivares agita el ojo del p\u00fablico en la sala Isabel Hurley\u201d. Sur. 30 January 2009. M\u00e1laga.<\/li>\n
  • MOLINS, Javier. \u201cEn busca de la tercera dimensi\u00f3n\u201d. ABC. 3 November 2008. Valencia.<\/li>\n
  • MARZAL, Carlos. \u201cLa pintura de Juan Olivares\u201d. ABC. 27 September 2008. Valencia.<\/li>\n
  • FORRIOLS, Ricardo. \u201cHilvanar el espacio. Juan Olivares\u201d. Levante. Posdata 19 September 2008.<\/li>\n
  • FORRIOLS, Ricardo. \u201cImprovisaciones crom\u00e1ticas\u201d. Levante. Posdata 22 June 2007.<\/li>\n
  • P\u00c9REZ PONT, Jos\u00e9 Luis. \u201cJuan Olivares \u201d. EXIT Express n\u00ba 28, May 2007.<\/li>\n
  • CLEMENTE, Jos\u00e9 Luis. \u201cJuan Olivares. Fisonom\u00eda del azar\u201d. El cultural (17-23 May 2007). El Mundo.<\/li>\n
  • FORRIOLS, Ricardo. \u201cEntrevista Juan Olivares \/ Nico Munuera\u201d. Levante. Posdata (Portada) 25 May 2007.<\/li>\n
  • GARCIA, Pepa. \u201cJuan Olivares presenta su `big bang l\u00edrico y chirriante\u00b4 en la galer\u00eda T 20\u201d. 8 April 2006. La Verdad. Murcia.<\/li>\n
  • GUARDIOLA, A. \u201cJuan Olivares teje met\u00e1foras cotidianas en la galer\u00eda T 20\u201d. 7 April 2006. La Opini\u00f3n. Murcia.<\/li>\n
  • MADERUELO, Javier. \u201c Un lenguaje pict\u00f3rico\u201d. Babelia n\u00ba 725 (S\u00e1bado 15 de October de 2005). El Pa\u00eds.<\/li>\n
  • C\u00c1MARA, Cristina. \u201cJuan Olivares, Huellas visuales\u201d. Arte y Contexto n\u00ba 8 Autumn 2005.<\/li>\n
  • CARPIO, Francisco. “Juan Olivares. Huellas visuales”. ABCD las artes y las letras (22-28 October 2005). ABC.<\/li>\n
  • POZUELO, Abel H.. \u201cJuan Olivares. La pintura toma el mundo\u201d. El cultural (6-12 October 2005). El Mundo.<\/li>\n
  • Redacci\u00f3n.\u201d Juan Olivares. Huellas visuales\u201d. Art Notes n\u00ba 5. September-October. 2005.<\/li>\n
  • PEIR\u00d3, Juan B. \u201cJuan Olivares\u201d. Levante. Posdata 26 March 2004.<\/li>\n
  • \u00d3scar Alonso Molina. \u201cJuan Olivares\u201d. Arte y Parte n\u00ba 47.<\/li>\n
  • HONTORIA, Javier. \u201cJuan Olivares\u201d. El cultural (16-22 October 2003). El Mundo.<\/li>\n
  • Redacci\u00f3n. \u201cJuan Olivares trae a Murcia su visi\u00f3n abstracta de Par\u00eds\u201d. La Opini\u00f3n 11 November 2002.<\/li>\n
  • FORRIOLS, Ricardo. \u201cEl olor de la pintura\u201d. Levante. Posdata 26 April 2002.<\/li>\n
  • TOM\u00c1S, Mar\u00eda. \u201cEl instante eterno\u201d. Levante 12 April 2002.<\/li>\n
  • TEJEDA, Isabel. \u201cPaseos\u201d. El Peri\u00f3dico del Arte n\u00ba 54. April 2002.<\/li>\n
  • RUBIO NOMBLOT, Javier. “Formas fugitivas”. ABC Cultural. (Portada) 24 November 2001.<\/li>\n
  • GUILLEM, Ram\u00f3n. “Els signes i l\u00b4emoci\u00f3”. El Punt 4 June 2000.<\/li>\n
  • FORRIOLS, Ricardo. “La recuperaci\u00f3n de \u00cdcaro. Juan Olivares”. Levante. Posdata 19 May 2000.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n[\/mk_table][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1553544321738{padding-top: 50px !important;padding-bottom: 50px !important;}”][vc_column][mk_button dimension=”flat” corner_style=”rounded” size=”medium” url=”\/en\/contact\/” align=”center” margin_bottom=”30″ margin_right=”0″ animation=”bottom-to-top” el_class=”btnContact” bg_color=”#404040″ btn_hover_bg=”#ffffff” btn_hover_txt_color=”#404040″]Contact[\/mk_button][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

    [mk_page_section vertical_align=”bottom” bg_image=”https:\/\/juanolivares.net\/wp-content\/uploads\/2019\/04\/juan-olivares-biocv-v2.jpg” bg_position=”center center” bg_repeat=”no-repeat” bg_stretch=”true” enable_3d=”true” adaptive_height=”true” max_height=”480″ min_height=”300″ padding_top=”0″ padding_bottom=”0″ animation=”fade-in” el_class=”titleSectionGeneral” sidebar=”sidebar-1″][vc_column el_class=”columna”][mk_fancy_title strip_tags=”true” tag_name=”h1″ color=”#ffffff” size=”48″ font_weight=”300″ margin_bottom=”30″ font_family=”none” responsive_align=”left” drop_shadow=”true” shadow_distance=”1″ shadow_blur=”5″ shadow_color=”#000000″]Bio & CV[\/mk_fancy_title][\/vc_column][\/mk_page_section][vc_row equal_columns=”true” css=”.vc_custom_1555774624361{padding-top: 50px !important;padding-bottom: 25px !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1555774465989{background-image: url(https:\/\/juanolivares.net\/wp-content\/uploads\/2019\/04\/detalle-bio-2.jpg?id=302) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][\/vc_column][vc_column width=”1\/2″][mk_fancy_title strip_tags=”true” color=”#404040″ size=”38″ font_weight=”300″ font_family=”none” responsive_align=”left” animation=”right-to-left”]Poetic […]<\/p>\n","protected":false},"author":1,"featured_media":835,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"yoast_head":"\nBio & CV - 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